schedule.pdf
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| Week 1 | lecture/demo/work day | Homework |
| 05.28 | Introduction to course
-syllabus -course policies -studio tour -materials |
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| 05.29 | Demo-Grayscale
Value exercises Portraits Work time |
Acquire texts and materials |
| 05.30 | Introduce Painting #1_photo collage value study
Work day
Demo_projector / grid Demo_underpainting/washes/paint application techniques
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Grayscale exercises due
Acquire source imagery |
| Week 2 | ||
| 06.03 | Demo_Stretcher frame
Demo_stretching canvas |
Read ch.1, 2, 5 in text
Compositional studies complete & ready to be transferred canvas. |
| 06.04 | Work day | |
| 06.05 | Critique assignment #1
Introduce Assignment #2_ still life_alla prima |
Assignment #1 due_
5 collages + Final painting |
| 06.06 | Color Theory_exercises
Demo_Alla Prima Work Day |
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| Week 3 | ||
| 06.10 | NO CLASS_Instructor Away_Research Day / Work Day | |
| 06.11 | Work Day
Introduce Assignment #3_ experimental/ mixed media Demo_experimental techniques. Introduce Assignment #4_ Art historical Emulation / research presentation |
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06.12 |
Critique Assignment #2_ still life_alla prima
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Assignment #2 due_ 3 studies and 1 Final painting
|
| 06.13 | Work Day / Research Day | Choose artists for Assignment #4_email decisions for approval by 6.15. |
| Week 4 | ||
| 06.17 | Work Day
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| 06.18 | Work Day | |
| 06.19 | Critique Assignment #3_experimental/ mixed media | Assignment #3 due_
2 studies + Final painting |
| 06.20 | Roundtable discussion_ Fernand Leger “contemporary achievements in painting”.
Work Day |
Read and writen response to Fernand Leger Essay |
| Week 5 | ||
| 06.24 | Work Day | |
| 06.25 | Work Day | |
| 06.26 | Work Day | |
| 06.27 | Critique Assignment #4_ Art historical Emulation / research presentation | Final portfolios due |
*Schedule subject to alteration by instructor